“Intellectually Knowable Lines” – UltraModern Nostalgic Inscription and Other Spatialities, an Exercise in Dirty Scholarship
In an effort to unpack the notion of the Chinese typewriter as emblematic of an unassailably perverse difference in ontological positioning, it is essential to consider the manner in which the threat that the typewriter represents is situated (where, in other words, the discourse machine-gun is pointing). Rather than simply limit the Chinese typewriter’s cultural Read More