“Our Writing Tools Are Also Working on Our Thoughts”: Kittler, Nietzsche, and Richler’s Facit TP1
Wanda Strauven, in “Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet,” stresses media archaeology’s debt to Foucault’s own archaeological work: “One could say that media archaeology starts where Foucault’s analyses end” (68). However, immediately following this remark, she cites Kittler’s incisive critique of Foucauldian archaeological methodology, an insight that proves central Read More